Dumke Arts Plaza
- Award Year: 2024
- Award Category: Design $1M to $5M
- Award Designation: Merit Award
- Client: Ogden City, Weber State Univeristy Shaw Gallery
- Location: Ogden, Utah
- Photography credit: Jake McIntire, Cam McLeod, Jared Barnett, Matthew Arielly , Dylan Totaro, Weber State Shaw Gallery, Benjamin Zack, Hogan Construction
Summary
Sitting at a prominent corner of the Nine Rail’s Arts District, the Dumke Arts Plaza weaves art into Ogden, Utah’s daily experience creating an environment for artists and community creatives to thrive.
The Plaza’s design, inspired by the region’s surrounding landscape maximizes site flexibility through an art infrastructure system that can host performances and visual art installations. Three plaza rooms are layered into the ½ acre site to allow for large-scale installations, small performances, LED screen-displayed video art, and spaces for everyday gatherings. An elevated platform, known as the plinth, provides more space for arts programming, as well as a new perspective on the plaza, opening up panoramic views of the Wasatch mountains. The Dumke Arts Plaza is a welcoming public space, with interactive play elements, expressive lighting, custom benches, and waterwise landscaping. The plaza also features the Beacon, a new sculpture that extends from the plaza over 25th Street, inviting visitors to explore the dynamic space.
Narrative
In March 2020, Ogden City hired the submitting firm to lead the vision and design of the Nine Rails Creative District’s first public realm construction. In 2022 the Dumke Arts Plaza was completed, creating a new cornerstone for the city’s vibrant arts community.
Once an abandoned ½ acre lot, the plaza’s design is rooted in the community’s vision. Despite the challenges of collaborating with clients and communities during the COVID-19 pandemic, the design team found new, creative ways to gain community input, and develop a design for the Dumke Arts Plaza that meets the needs of multiple stakeholders. The engagement effort was envisioned as a “Welcoming Campaign” and conducted as a collaborative and accessible approach to community outreach. The campaign provided input opportunities through multiple channels, built collective awareness of the project, and aimed to instill a sense of community ownership of the future arts plaza. The campaign recognized that in order for the project to be a true success, the design must represent the Nine Rails Creative District and the broader Ogden community in the most equitable way possible. Before creating any design concepts, the team developed Guiding Principles to serve as the foundation for the future design and ensured that the original goals set by the Ogden community were met within the project.
The design process for the plaza began with an elemental look at the larger geography and geology of the Salt Lake Basin. Working with in-house data and design tools, the team built a custom quantitative viewshed analysis to study the potential of capturing mountain views within the plaza’s footprint. This analysis informed the height of the plaza’s elevated room, the Plinth.
To maximize the flexibility of art on the site, the design team created an art infrastructure system that could host performances and static art in a variety of capacities. A myriad of spatial conditions were layered into a relatively small space, allowing individuals and groups to select their own experiences.
The Beacon — emerging from the northeastern corner of the plaza — is designed to be seen from afar, beckoning people to the arts district to experience the plaza up close. Folding up from the plaza to frame the northeast entry, the sculpture takes cues from the forms and materiality of the plaza itself. Suspended from this frame, a cantilever magically floats 40 feet over the street and is visible from all over Ogden. At night, the Beacon glows from within, illuminating a perforation pattern inspired by the Wasatch Mountain Range.
The plaza’s inaugural exhibition was a selection of work by internationally renowned American sculptor Chakaia Booker, which will be on view to the public from Dec. 3, 2021 through September 2022. The exhibition was curated by the Mary Elizabeth Dee Shaw Gallery at Weber State University. “The automotive tires that Booker uses inherently symbolize upward mobility, expansion, and possibility,” said Lydia Gravis, gallery director and curator. “This new Dumke Arts Plaza represents the same mobility for Ogden as it enhances the Nine Rails Arts District and eliminates the barriers inherently associated with traditional ‘white cube’ art galleries and museums that sometimes deter more diverse audiences from experiencing meaningful, thought-provoking art.”
This new public arts venue is part of a public-private partnership between Ogden City, the Dumke Foundation, Ogden Contemporary Arts, and Weber State. Together, the project funds were dedicated to this arts endeavor and will serve as the centerpiece of the developing creative district in downtown Ogden and further transform a once-abandoned section of 25th Street.
Diversity, Equity, and Inclusion Project Features
The Community Welcoming Campaign emerged, in part, from an understanding that a primary goal of the plaza is to create a highly innovative and creative space that becomes regionally renowned. As part of that goal, the project should challenge and expand the existing aesthetic and conceptual local expectations. With this approach, however, we recognized the risk of creating a space that the local community does not feel connected to or welcome within. The Community Welcoming Campaign sought to narrow this potential disconnect and move the project toward a harmonious relationship grounded in the community and cutting edge.
The Welcoming Campaign aimed to reach as many community members as possible with a particular focus on creatives/artists and community members who have not yet connected with the Nine Rails Creative District. Because this campaign sought to reach a maximum breadth of community members, it was not designed with a one-size-fits-all methodology. The campaign was multifaceted with various engagement opportunities, with specific emphasis placed on bringing new voices to the table.
The community expressed a strong desire for the space to be welcoming and equitable to people of all backgrounds, ethnicities, cultures, political views, and demographics. This desire was expressed as part of both the design and programming/management of the plaza. Many of the comments and suggestions centered around the Latinx community, but also demonstrated a need for broader principles of inclusion to be considered.
Latinx community members communicated a strong desire for consideration in the planning and engagement process. Specifically, they expressed an interest in seeing vibrant color, healthy native plants, and overall accessibility throughout the new plaza. They additionally played a role in the naming of the site by advocating for the use of “plaza” as opposed to other descriptors of similar focus, such as courtyard or square.
The final Community Engagement event for the Dumke Arts Plaza was an in-person celebration designed to prototype the experience of engaging with the proposed plaza. ‘Welcome Fest’ consisted of multiple creative activations and performances including a spoken word performance, music, dance, and lighting installations. A 1:1 spray-painted layout of the proposed design allowed community members to walk through the project’s major areas. Precedent images and voting boards placed throughout the project site allowed plaza visitors to weigh in on the project’s final design decisions. This event successfully welcomed a diverse range of community members to the site, creating a tangible way to discover and own the project’s future phases.
Plant List
Trees
- London Planetree ‘Bloodgood’
- Honey Locust ‘Starburst’
Shrubs
- Arctic Fire Dogwood
Perennials, Grasses, and Ground Covers
- ‘Eilers Beauty’ Fescue
- Hachita Blue Grama
- Blond Ambition Blue Grama
- Firefly Diamond Yarro
- Meadow Blazing Star
- Ornamental Onion ‘Mount Everest’
- Firecracker Penstemon
- Tufted Hair Grass ‘Gold Show’
- Golden Sedge
- Joe Pye Weed
- Swamp Milkweed
- 2024 Awards Jury
Team Members
Sasaki
- Anna Cawrse, Principal Landscape Architect
- Ashley Pelletier, Project Manager, Landscape Architect
- Fangli Zhang, Landscape Designer
- Rong Cong, Landscape Designer
- Lucca Townsend, Architect
- Jared Barnett, Architectural Designer
IO Landarch – Local Landscape Architect
- Shalae Larsen, Principal Landscape Architect
Union Creative- Community Outreach
- Jake McIntire, Principal
- Cam McLeod, Community Outreach Specialist
- Todd Oberndorfer, Community Outreach Specialist
- Matthew Killebrew, Graphic Designer
CRS Engineers- Civil Engineer
- Gregory Nelson- Associate Civil Engineer
- Olivia Sorenson- Civil Engineer
Spectrum Engineers- Electrical & Mechanical Engineers
- Spencer Little- Principal Electrical Engineer
- Michael Fackrell- Electrical Engineer
- Ryan Boogaard- Mechanical Engineer
HLB- Sculpture Lighting Design
- Darcie Chinnis- Principal Lighting Designer
ARW- Structural Engineer
- Troy Dye- Associate Principal Structural Engineer
Hogan Construction- Installation
Documents and Media
Planning Docs (if applicable):